Kaliane Bradley’s The Ministry of Time was (largely) a hit with the 麻豆传媒 Book Club
One of the wonderful things about science fiction is the broadness of its church, and this was really brought home to me by our two most recent reads. The 麻豆传媒 Book Club moved from the hard science fiction spacefaring of Larry Niven鈥檚 classic Ringworld in May to the near-future-set time travel of Kaliane Bradley鈥檚 The Ministry of Time for our June read. The former takes its science seriously, diving into the maths and physics of its set-up with gusto; the latter 鈥 not so much.
The story of an unnamed civil servant who is given the job of supporting an 鈥渆xpat鈥 from history 鈥 Commander Graham Gore, a (real) Victorian polar explorer from 1847 鈥 The Ministry of Time is many things in one: a thriller, a romance, a piece of climate fiction (apparently), a science fiction novel about time. I couldn鈥檛 put it down and loved all of it 鈥 apart, perhaps, from the ending. But more on that later. This is 麻豆传媒, so let鈥檚 get to the science fictional aspects of this novel first.
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Bradley鈥檚 time travel is, I would say, a MacGuffin: something that exists for her to have fun with bringing her characters from the past into the present(ish) day. As she puts it: “The moment you start to think about the physics of [time travel], you are in a crock of shit.” I don鈥檛 think it鈥檚 any the worse for her disinclination to explain time travel 鈥 after all, I鈥檓 not sure even our top physics minds are quite there yet 鈥 and most of you agreed.
鈥淚 actually liked that the time travel was just taken for granted, allowing the main plot to be developed – after all it has been treated in many ways in many other sci-fi novels,鈥 writes Simon Saunders on our . 鈥淎nd that made for very interesting plot and character development. In that way I felt it was more of a novel with a sci-fi backdrop rather than a sci-fi novel as such.鈥
For Pauline Moncrieff, for whom The Ministry of Time was her book of the year so far, Bradley鈥檚 approach to time travel was 鈥減erfect鈥, while for Terry James, who has 鈥渁n ambivalent attitude about time travel鈥 because of the paradox it presents 鈥 鈥淚f I travel back in time, murder my grandfather, does that mean I stop existing?鈥 鈥 it also worked. 鈥淔or this reason, I smiled when I saw how the whole technical and physical challenges of time travel was basically skipped by the author. Keep it simple,鈥 he writes.
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Christen Millard Shore was of the same opinion. 鈥淚 was glad of the open hand-wavery that said 鈥榩retend this isn’t a problem and assume it’s ok.鈥 It is a problem otherwise.鈥
Gosia Furmanik, however, wasn鈥檛 so sure. She 鈥渞eally liked how this was written, the language was very imaginative and colourful, it was gripping and tickled my brain in the right way鈥. But she 鈥渇ound the plot pertaining to the main intrigue/ time travel quite confusing, nothing much happened or got revealed until the very end, so it was really hard to be engaged in this aspect of the book鈥. Rather damningly for a book club focusing on science fiction, she felt that 鈥渢he whole science fiction aspect of the book was somehow secondary to the romance and musings on immigration and identity鈥.
I think Gosia is right here, but that wasn鈥檛 a negative for me 鈥 I was absolutely swept away in the romance of this novel and definitely fell for Commander Gore (so did Bradley 鈥 check out my interview with her to find out more about her historical crush). I am a big fan of romantic literature in general though, so perhaps it鈥檚 not surprising I would like it. And I wasn鈥檛 the only one.
鈥淚 wouldn’t normally be interested in romance as the main element of a book – but I was prepared to accept that it was very well done. However I think the book was much more than the romance – it was a meditation on the meaning of empire and what it means to fit in when you don’t have the same family history as your peers and then finally how you can fit in so much and think that you have overcome oppression but become a part of the oppression yourself,鈥 says Alan Perrett. 鈥淚 thoroughly enjoyed it.鈥
Phil Gurski was of a different opinion. 鈥淚 really liked the concept but this was not really a sci-fi but a romance,鈥 he writes. 鈥淣ot that I am a prude, but the 4-page sex scenes were unnecessary.鈥
There were many things I loved about The Ministry of Time, but perhaps top of the list for me was Bradley鈥檚 subtle but brilliant sense of humour. There is something innately funny about plonking someone from the 19th century into the modern world and seeing how he deals with everything from Spotify to dishwashers, but what I loved about Bradley鈥檚 writing was her lightness of touch.
鈥淚 have laughed out loud a number of times,鈥 agrees Christen. 鈥淢ostly at the girls talking together and discussions of the chicken purse.鈥 Yes! The chicken purse was a joy. And the girls interacting was definitely a high point. I鈥檓 a little in love with Margaret Kemble from 1665, I think, as well as Graham Gore.
Gosia gives the humour a cautious thumbs up. 鈥淚 initially thought it was quite funny (e.g. nobody was making him watch EastEnders) but then I feel it lost this tone and then was a bit jarring – like it was still trying to be funny, when the content of the book was really not funny anymore?鈥 she writes.
Let鈥檚 get on to that ending, though, which is where we all had the most issues with The Ministry. And here鈥檚 your regular spoiler alert, just in case you鈥檙e yet to finish. The twist 鈥 that Adela was a future version of our narrator 鈥 definitely took me by surprise, and made me do that pleasurable thing of going back to check that previous bits of the book actually worked in this context. I鈥檇 say they did 鈥 but it did all get a bit muddled and rushed as we zoomed towards the end, and I found the up-in-the-air conclusion a little frustrating, having become so very invested in Bradley鈥檚 romance. I get what she鈥檚 saying 鈥 that the story itself is 鈥渁 kind of time travel鈥 鈥 but I still wanted my resolution!
David Jones is with me on this. 鈥淚t was one of those books where you finish it and feel let down. I loved the main characters and felt they deserved a better ending,鈥 he writes.
鈥淭his author has done a good job and written a very good, thoughtful and interesting book which I enjoyed. However I wonder if the ending was always there or forced by an editor?鈥 wonders Alan. 鈥淚t felt a bit forced and tacked on – not part of the initial viewpoint of the author.鈥
鈥淚 was about 80% through and still asking 鈥榳here is this going?鈥. I feel the story cards were played too close to the chest until the end and didn鈥檛 feel the pay off was enough. 3/5 from me,鈥 says George Aranda.
Phil writes on that he hopes that next time round 鈥渢he聽麻豆传媒聽book club can get back to true science (fiction)鈥. I鈥檓 keen to oblige, Phil: our July read is Adam Roberts鈥檚 hard sci-fi novel Lake of Darkness, which is just out in paperback and which opens as a spaceship investigates a black hole where signals appear to, impossibly, be crossing the event horizon. Adam has written a brilliantly brainy essay for us, all about why he decided his future would be utopian, and you can check out an extract here. Emily H. Wilson, our sci-fi reviewer at 麻豆传媒, loved Lake of Darkness when it came out in hardback 鈥 鈥渋ntelligent, experimental, grippingly propulsive and full聽of astonishing ideas鈥, she wrote 鈥 and I鈥檓 hoping we all enjoy our journey to the far future as much as she did.
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